Bazine

基本解釋

Tarkovsky's movie view is based on his image ontology that is different from both Sergei Eisenstein and Andre Bazin.
他的影像本體論思想既不同于愛森斯坦,也不同于巴贊。
There had been wide and deep studies on Bazin of the Chinese film circles for a long time.
長(zhǎng)期以來，中國(guó)電影界對(duì)巴贊進(jìn)行了廣泛而深入的研究。
But it cannot strike Bazin"s status.And the long-shot technique isn"t the same as that of Bazin advocated.
這樣的事實(shí)絲毫動(dòng)搖不了巴贊的地位，并且這種長(zhǎng)鏡頭也與巴贊主張的長(zhǎng)鏡頭不甚相同。
The appendix describes long-shot technique independent developments in Chinese filmic practice before the influence of Bazin.
在附錄部分，本文描述了在巴贊對(duì)中國(guó)電影產(chǎn)生影響之前，中國(guó)電影創(chuàng)作中已經(jīng)出現(xiàn)的獨(dú)立發(fā)展的長(zhǎng)鏡頭手法。
The trend to a great extent has inherited and developed the neorealist spirit of Italian films and Bazin's cinematic concepts of realistic, ontology, asymptote of reality.
現(xiàn)實(shí)主義電影思潮在很大程度上繼承并發(fā)展了巴贊的“寫實(shí)主義電影觀”、“影像本體論”與“現(xiàn)實(shí)漸近線”理論以及意大利新現(xiàn)實(shí)主義電影的精神。