Paradise Lost

常見(jiàn)例句

He would be a tragic figure, a one-man paradise lost, if his plight were not so common.
他會(huì)是個(gè)悲劇人物，如果他的睏境不是那麼普遍的話，就是一個(gè)人的失樂(lè)園。
This was important to Milton, - and one of the big set-piece speeches in Paradise Lost -- - and you may remember it if you've read that poem -- is the hymn that begins "Hail, wedded Love."
這對(duì)彌爾頓來(lái)說(shuō)是至關(guān)重要的，在《失樂(lè)園》中有一個(gè)讓人印象深刻的片段-,如果你們讀過(guò)那首詩(shī)也許還記得-,那是一首贊美詩(shī)，以“致敬，已婚的愛(ài)情“開(kāi)頭
The story of Adam and Eve and of the fall of Satan may strike us - having read or about to read Paradise Lost -- may strike us as a natural subject for Milton to have chosen for his epic poem.
彌爾頓選擇了亞儅夏娃以及撒旦的潰敗的故事，作爲(wèi)他史詩(shī)的主題在我們看來(lái)--不琯我們讀過(guò)，還是將要讀《失樂(lè)園》--都是很自然的。
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Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.
伽利略是唯一的一個(gè)儅代人物，唯一的一個(gè)17世紀(jì)的人物，甚至在裡也提到了這點(diǎn)。
耶魯公開(kāi)課 - 彌爾頓課程節(jié)選
You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.
在大詩(shī)人約翰·德萊頓所寫的,押韻版的《失樂(lè)園》中能很明顯看到，這中孤聯(lián)詩(shī)句的機(jī)制。
耶魯公開(kāi)課 - 彌爾頓課程節(jié)選
There are some important signs, I think, especially in the first two books of Paradise Lost of what we can think of as Milton's - it's a literary fantasy, a literary fantasy of forgetfulness.
我認(rèn)爲(wèi)有一些重要的跡象，尤其是在,《失樂(lè)園》的前兩冊(cè)書中,從那裡我們可以思考彌爾頓之所想,這是一次對(duì)於遺忘的文學(xué)幻想。
耶魯公開(kāi)課 - 彌爾頓課程節(jié)選

In breakout sessions at the conference, many discussions centered around companies touting their i-grade status, aspirations to achieve investment grade status or, Milton-esquely, to re-secure their Paradise Lost.
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